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Otar (Otia) Katamadze was a remarkable event in the modern history of the Batumi Drama Theater. A remarkable young actor, director, and playwright, one might say, he left a special mark as a creator and as a citizen.
Director Gabriel Goshadze did not choose Otar Katamadze's play "Call Me Whatever You Want" for staging solely because of this young man's creative and personal qualities.
If we carefully examine the play's architecture, atmosphere, and characters, we will clearly feel how tragic our present is, the fate of the artist in a technocratic world devoid of the most important meaning.
Let's also add that Otar Katamadze's play has that grace of eternity that impressed a remarkable group of absurdists - Samuel Beckett, Eugene Ionesco, Slawomir Mrozek...
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Otar (Otia) Katamadze was a remarkable event in the modern history of the Batumi Drama Theater. A remarkable young actor, director, and playwright, one might say, he left a special mark as a creator and as a citizen.
Director Gabriel Goshadze did not choose Otar Katamadze's play "Call Me Whatever You Want" for staging solely because of this young man's creative and personal qualities.
If we carefully examine the play's architecture, atmosphere, and characters, we will clearly feel how tragic our present is, the fate of the artist in a technocratic world devoid of the most important meaning.
Let's also add that Otar Katamadze's play has that grace of eternity that impressed a remarkable group of absurdists - Samuel Beckett, Eugene Ionesco, Slawomir Mrozek...
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